Minggu, 20 Mei 2012

{PRETITLE} Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks {POSTTITLE}

Rating: (11 reviews)
Author: Keith Houston
ISBN : 0393064425
New from $15.38
Format: PDF

Free download PRETITLE Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks POSTTITLE from mediafire, rapishare, and mirror link

From ancient Greece to the Internet—via the Renaissance, Gutenberg, and Madison Avenue—Shady Characters exposes the secret history of punctuation.

A charming and indispensable tour of two thousand years of the written word, Shady Characters weaves a fascinating trail across the parallel histories of language and typography.

Whether investigating the asterisk (*) and dagger (†)—which alternately illuminated and skewered heretical verses of the early Bible—or the at sign (@), which languished in obscurity for centuries until rescued by the Internet, Keith Houston draws on myriad sources to chart the life and times of these enigmatic squiggles, both exotic (¶) and everyday (&).

From the Library of Alexandria to the halls of Bell Labs, figures as diverse as Charlemagne, Vladimir Nabokov, and George W. Bush cross paths with marks as obscure as the interrobang (‽) and as divisive as the dash (—). Ancient Roman graffiti, Venetian trading shorthand, Cold War double agents, and Madison Avenue round out an ever more diverse set of episodes, characters, and artifacts.

Richly illustrated, ranging across time, typographies, and countries, Shady Characters will delight and entertain all who cherish the unpredictable and surprising in the writing life.

2-color; 75 illustrations
Direct download links available for PRETITLE Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks [Hardcover] POSTTITLE
  • Hardcover: 352 pages
  • Publisher: W. W. Norton & Company; 1 edition (September 24, 2013)
  • Language: English
  • ISBN-10: 0393064425
  • ISBN-13: 978-0393064421
  • Product Dimensions: 8.4 x 5.8 x 1.3 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)

{PRETITLE} Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks {POSTTITLE}

The nonstandard characters used in the book render as microscopic; I can't find a fix for this, and it happens both on the Kindle Paperwhite and the Kindle Android app. The parts of the book that I can read are interesting, but I'm missing a lot with the rendering deficiency. Frankly I'm a bit shocked that a publisher would let this go to market in this condition. Perhaps the paper version is more legible.
By Dagmar Miura
Not that long ago, I was reading an edition of a Shakespeare play that retained the original formatting. I stared at the punctuation and thought how very modern it was, and just as I was reminded that I've often wondered where we get these marks we use every day, along came Keith Houston with this ray of sunshine called Shady Characters. I ordered it instantly and had no idea what to expect. Fortunately, it is hands down informative, earnest, witty, well-produced and so very reassuringly human in this digital age.

Houston has selected the pilcrow (that backward P for paragraph), "commercial at" (@), octothorpe (pound or hash sign), ampersand, asterisk, dagger, hyphen, manicule (pointing hand), quotation marks, the interrobang (question mark overlaid with an exclamation mark) and marks to indicate irony and sarcasm. The earliest symbols show up with the Greeks and Romans; turning points include the rise of Christianity, the Renaissance and the invention of the printing press, and, more recently, the typewriter. Computers and the internet are respectful latecomers to the party.

Houston is a detective who digs for hard evidence. Typographical legends persist and he insists on finding the truth. Assumptions are dashed. His end notes and bibliography reveal that he shifted through a lot of dry, not to mention dusty, texts in search of his answers and he has done a terrific job of articulating the information. He sustains a vibrant energy to the last page. The hardcover book is attractively produced with the symbols rendered in red ink.

This is Houston's first book. On the strength of it, I'll sign up for his next, whatever it is.
By C. Ebeling

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