Rating:
(21 reviews)
Author: Alvin Schroeder
ISBN : 0825802628
New from $13.45
Format: PDF

Author: Alvin Schroeder
ISBN : 0825802628
New from $13.45
Format: PDF
Free download PRETITLE 170 Foundation Studies for Violoncello, Vol. 1 (English and German Edition) [Illustrated] [Paperback] POSTTITLE from 4shared, mediafire, hotfile, and mirror link
Selected and progressively arranged from the foremost instructive works of Buchler, Cossmann, Dotzauer, Duport, Franchomme, Grutzmacher, Kummer, Lee, Piatti, Schroeder and Servais.
Direct download links available for PRETITLE 170 Foundation Studies for Violoncello, Vol. 1 (English and German Edition) [Illustrated] [Paperback] POSTTITLE- Paperback: 110 pages
- Publisher: Carl Fischer; O2469 edition (January 1, 1970)
- Language: English, German
- ISBN-10: 0825802628
- ISBN-13: 978-0825802621
- Product Dimensions: 21.5 x 11.8 x 0.4 inches
- Shipping Weight: 12.8 ounces (View shipping rates and policies)
{PRETITLE} 170 Foundation Studies for Violoncello, Vol. 1 {POSTTITLE}
When I decided to learn to play the cello, I was 42 years old and had been playing piano for 37 of those years. I also grew up playing violin so I know how to read music and understand "string instrument" concepts like bowing and fingering. So I wasn't looking for Suzuki or other books that are more oriented towards total beginners.By mahlers2nd
When I found a cello teacher, I asked him for a recommendation and he recommended this series. Only the first couple of pages are "very basic" and the exercises progress fairly quickly in difficulty.
With each exercise, you can actually see how the exercise is preparing you for the great cello repertoire -- the Bach Unaccompanied suites, in particular. Therefore, if your goal is to move beyond the basics that most beginner methods use (like "Oh Susannah" and "Row Row Row Your Boat") and start playing the pieces that motivate you to want to play cello in the first place, this method is going to get you there and progressing at a pace that will definitely challenge you and prevent boredom.
I believe every instrument has their "standard methods". Piano uses Hanon. Violin has Sevcik and Galamian. Shroeder is invaluable for helping prepare you to play serious and enjoyable cello repertoire. By incorporating these exercises into your daily practice sessions, it becomes an important ritual for helping you to warm up and mentally prepare for whatever you will be working on that day -- regardless of your skill level.
The one thing I would recommend is as soon as you receive your copy -- immediately take it to Kinkos to have the covers laminated, remove the binding and replace it with a spiral binding. This will allow the book to lay flat on your music stand and it will last much longer that way (i.e. the pages won't come separated from the binding and go missing on you).
[NCJAR]
TOP 500 REVIEWER
This is the classic technique and etude book for cellists. From the very easy to the quite difficult, this study book gives plenty to work on in technique, fingering, bowing, and many other aspects of cello playing. Unlike many etude books, "the Schroeder," as it was (fondly & often unfondly, due to the level of difficulty!) called, will not take the student a short way then run out, leaving the cellist to go out and purchase yet another etude book. The student could easily spend a year or two with this book, and on indefinitely as a way to "keep on one's toes."By Karen R. Thorne
In a way, it's ironic that I find myself providing a review for this book, as the exercises were often grueling (to me) and elicited many a groan. Not a lesson passed that my teacher did not assign several of these exercises in addition to whatever else I might be working on. (In fact, there was so much material to work on again and again that I never went on to Vol. 2 -- though it could have been due to changing teachers when I left for college to pursue my cello degree.)
At any rate, the Schroeder offers a wealth of material to sharpen technique and facility, and for that I highly recommend it. It will put you through your paces!
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